'Radiatus' · Bark pendant
Hand-painted bark pendant · gold & teal botanical motifs · one of a kind · a figure in the grain
This piece arrived already knowing what it was. The curve was not carved — the bark fell this way. A long, warm sweep of Crimean pine, shaped over centuries by its own slow growth, and the silhouette it left is unmistakably a body. The hollow at the chest. The taper at the waist. The way it leans, slightly, as if mid-breath.
Across its surface, motifs radiate outward from a central spine — fine, feathered marks in gold and teal that follow the grain rather than interrupt it. The painting does not compete with the form. It traces it.
Radiatus takes its name from the cloud formation that spreads in long parallel rays from a single point — light made visible, moving outward. Here, the same: each brushstroke fans outward the way a fern unfurls from its centre.
This is not a pendant that hangs against you. It rests with you.
Details
Material: Naturally shed Crimean pine bark · acrylic paint · gold & white botanical motifs · UV resin seal
Size: L:12 cm × W: 5.5cm · lightweight
Finish: Sealed for durability · motifs sealed to prevent wear
On Gold-plated chain
Care: Avoid prolonged water exposure · wipe with a soft dry cloth
Origin: Tyntesfield woodland, · National Trust estate ·
Collected and hand painted by the artist - Roxy Megyesi - in Bristol, UK
What makes this piece yours
One of a kind: This curve exists nowhere else. The tree made it once, over two hundred years.
Found form: The female figure in this piece was not designed. It was noticed.
Living surface: The radiating motifs follow the grain of the bark — the painting and the wood move as one.
Packaging
Each piece arrives in a hand-painted jewellery box with a hand-drawn ACEO illustration from the artist, a note on the bark's origin and the story of the piece, hand-signed and with a Certificate of Authenticity.
Each work in the Bark & Grain series carries one name. The bark is real — not cast, not replicated, not recreated. A two-hundred-year-old pine shaped it. Collected, restored, and painted — one brushstroke at a time — until its story surfaced. None of it can be repeated. One piece. Forever.
Hand-painted bark pendant · gold & teal botanical motifs · one of a kind · a figure in the grain
This piece arrived already knowing what it was. The curve was not carved — the bark fell this way. A long, warm sweep of Crimean pine, shaped over centuries by its own slow growth, and the silhouette it left is unmistakably a body. The hollow at the chest. The taper at the waist. The way it leans, slightly, as if mid-breath.
Across its surface, motifs radiate outward from a central spine — fine, feathered marks in gold and teal that follow the grain rather than interrupt it. The painting does not compete with the form. It traces it.
Radiatus takes its name from the cloud formation that spreads in long parallel rays from a single point — light made visible, moving outward. Here, the same: each brushstroke fans outward the way a fern unfurls from its centre.
This is not a pendant that hangs against you. It rests with you.
Details
Material: Naturally shed Crimean pine bark · acrylic paint · gold & white botanical motifs · UV resin seal
Size: L:12 cm × W: 5.5cm · lightweight
Finish: Sealed for durability · motifs sealed to prevent wear
On Gold-plated chain
Care: Avoid prolonged water exposure · wipe with a soft dry cloth
Origin: Tyntesfield woodland, · National Trust estate ·
Collected and hand painted by the artist - Roxy Megyesi - in Bristol, UK
What makes this piece yours
One of a kind: This curve exists nowhere else. The tree made it once, over two hundred years.
Found form: The female figure in this piece was not designed. It was noticed.
Living surface: The radiating motifs follow the grain of the bark — the painting and the wood move as one.
Packaging
Each piece arrives in a hand-painted jewellery box with a hand-drawn ACEO illustration from the artist, a note on the bark's origin and the story of the piece, hand-signed and with a Certificate of Authenticity.
Each work in the Bark & Grain series carries one name. The bark is real — not cast, not replicated, not recreated. A two-hundred-year-old pine shaped it. Collected, restored, and painted — one brushstroke at a time — until its story surfaced. None of it can be repeated. One piece. Forever.

