A rearing horse, caught in the bark before a single mark was made. This pendant is crafted from a real piece of reclaimed bark — collected from ancient woodland at Tyntesfield, a National Trust estate in North Somerset. Cleaned, sealed, and painted entirely by hand with layered gold botanical motifs on deep black. The diagonal break running through the form is the bark itself; the silhouette is uncut, unsmoothed, entirely as found.
Details
Material: Reclaimed Crimean pine bark · acrylic paint · UV resin seal · chain or cord included
Size: 5 cm x 3 cm · lightweight
Finish: Sealed for durability · gold motifs sealed to prevent wear
Cord: Waxed leather cord included · gold-plated chain available (+£3)
Care: Keep away from prolonged water exposure · wipe with a soft dry cloth
Origin: Tyntesfield woodland, North Somerset · National Trust estate · made by hand in Bristol, UK
What makes this piece yours
One of a kind: The natural grain and edge of the Crimean pine make this piece unrepeatable. When it sells, it is gone.
Found form: The plume exists in the bark itself — the painting follows the grain that was already rising through it.
Contrast: Raw, textured woodland bark against hand-painted gold and white creates something that feels both ancient and weightless.
Packaging
Each piece arrives in a hand-painted jewellery box with a hand-drawn ACEO illustration from the artist, a note on the bark's origin and the story of the piece, hand-signed and with a Certificate of Authenticity.
Each work in the Bark & Grain series carries one name. The bark is real — not cast, not replicated, not recreated. A two-hundred-year-old pine shaped it. Collected, restored, and painted — one brushstroke at a time — until its story surfaced. None of it can be repeated. One piece. Forever.
A rearing horse, caught in the bark before a single mark was made. This pendant is crafted from a real piece of reclaimed bark — collected from ancient woodland at Tyntesfield, a National Trust estate in North Somerset. Cleaned, sealed, and painted entirely by hand with layered gold botanical motifs on deep black. The diagonal break running through the form is the bark itself; the silhouette is uncut, unsmoothed, entirely as found.
Details
Material: Reclaimed Crimean pine bark · acrylic paint · UV resin seal · chain or cord included
Size: 5 cm x 3 cm · lightweight
Finish: Sealed for durability · gold motifs sealed to prevent wear
Cord: Waxed leather cord included · gold-plated chain available (+£3)
Care: Keep away from prolonged water exposure · wipe with a soft dry cloth
Origin: Tyntesfield woodland, North Somerset · National Trust estate · made by hand in Bristol, UK
What makes this piece yours
One of a kind: The natural grain and edge of the Crimean pine make this piece unrepeatable. When it sells, it is gone.
Found form: The plume exists in the bark itself — the painting follows the grain that was already rising through it.
Contrast: Raw, textured woodland bark against hand-painted gold and white creates something that feels both ancient and weightless.
Packaging
Each piece arrives in a hand-painted jewellery box with a hand-drawn ACEO illustration from the artist, a note on the bark's origin and the story of the piece, hand-signed and with a Certificate of Authenticity.
Each work in the Bark & Grain series carries one name. The bark is real — not cast, not replicated, not recreated. A two-hundred-year-old pine shaped it. Collected, restored, and painted — one brushstroke at a time — until its story surfaced. None of it can be repeated. One piece. Forever.